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COLUMBIA
FORUM
Textures as Metaphors
Ian
Bent, the Anne Parsons Bender Professor of Music, is the
current chair of the Music Humanities program. A specialist in
nineteenth- and twentieth-century music and in the history of music
theory, Bent was born in England and educated at Cambridge
University; he is the editor of Music Analysis in the
Nineteenth Century (1993) and Music Theory in the Age of
Romanticism (1996). In his address to the graduating seniors at
this year's February Commencement ceremony, Bent used the
specialized vocabulary of Music Humanities to delve into the nature
of human personality.


Ian Bent
suggests the three main textures of music as metaphors for human
personality.
PHOTO: JOE PINEIRO
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It is my
great privilege - and one in which I take enormous pleasure - to
greet you, the Fall graduating class, the first proud graduands of
2000, on behalf of the Faculty of Columbia College - indeed, the
Faculty of Columbia University as a whole. I bring congratulations
to you, and to all who have supported you over the last four years,
and I offer you good wishes for all that lies ahead.
Among the
"core" experiences of most of you while at Columbia will have been
50 or so hours spent in the classrooms of Music Humanities. We hope
those were rewarding hours; the Music Hum staff work together to
make them enriching experiences for you.
Whatever
else, I can be pretty sure that you will have racked your brains
over three inscrutable, long words that express the three main
textures of music, the three distinct ways of organizing musical
sound in time: monophony, homophony, and polyphony. And oh what
troubles they cause, when it comes to Midterm and Final!
We might,
however, see these three textures as metaphors for something other
than just the organization of sound - as, perhaps, metaphors for
human personality. You might ask yourself what sort of person you
are - a monophonic one, a homophonic one, or a polyphonic one? A
monophonic person is single-minded; has an inborn sense of
direction, of purpose, of goal. A monophonic person needs no
supporting harmony, requires no bass line against which to work,
does not listen for complementing voices around her. A monophonic
person knows where she is going, does not look over her shoulder,
does not require affirmation. Whether she is a modern-day Hildegard
of Bingen or Maria di Ventadorn, or whether he is a Richard the
Lionheart, a monophonic person is self-reliant. Are you a
monophonic person?
Or are you a
homophonic one? Are you - in only the best sense of the term - a
team player? A homophonic person prefers to work in consort with
others, prefers to reach agreement at every stage, prefers to work
in harmony with friends and colleagues. He may allow dissonance to
arise between him and others, but only if it soon resolves into
consonance. The harmony may appear to lose its way at times - the
diatonic may become chromatic - but there must always be a guiding
hand that restores it to the path, a magnetic force that brings it
back before the end. (And that magnetic force in music, as you all
know, is the tonic.) Is this the sort of person you are? The vast
majority of Western music since the Middle Ages exists in some form
of homophony. Without it there would be no madrigals, no
symphonies, no operas, no jazz, no Beethoven, no film music, no
Beatles or Rolling Stones. Probably the majority of people, the
people on whom our social and political system relies, belong to
this category.
And then
there are the polyphonic personalities. These are people who chart
their own path, but always in the knowledge that others are doing
the same, and that in some mysterious way their paths will work
together. They are individualists, who work best when surrounded by
other individualists. They take numerous risks, but always in the
belief that there is an ultimate safety net. Things may appear to
get out of control, but by some magic they come right in the
end.
The very real
fears that one experiences along the way turn out to be
illusory.
Then there is
another type of polyphonist - the personality that is polyphonic
within itself. This is the personality that encompasses widely
divergent strands - the person in whom from time to time you
discover a side that you had never suspected before; the person who
keeps many apparently independent things going in her life without
ever getting them tangled up; who may even, as we say, keep aspects
of her life in "separate compartments." Whether she is a Josquin,
or a Palestrina, or a Johann Sebastian Bach, she manages either to
combine different kinds of activities, or to work in the same way
and simultaneously with entirely different kinds of subjects,
materials, or data.
Well, this
may all sound very silly to you. And how dare I presume to
stereotype you (or at least invite you to stereotype yourself)? In
reality, of course, very few musical compositions belong
exclusively to one texture. Most of them combine two, or all three,
in judicious proportions. A sonata by Mozart uses the contrast
between homophony and polyphony to wonderfully dramatic effect!
Just think of Richard Strauss's Thus Spake Zarathustra -
popularly known through the theme music of the movie 2001: A
Space Odyssey - three glorious, glowing ascending tones of
intrepid monophony, to be greeted by two contrasting chords of
homophony, the first major, the second minor, the second instantly
neutralizing the first, checking its exuberance, calling it in
question, sowing doubts. What a stunning total effect, this
microcosm of textures and modes!
No, I am not
going to draw heavy-handed conclusions from this extension of my
metaphor. I leave any conclusions to you. It is for me, on this
celebratory occasion, to encourage you to continue your journey of
self-discovery - and discovery of others - as you enter into "life
after Columbia." The faculty of this University wishes you not only
the prosperity that you very likely hope for for yourself, but also
the fulfillment of self that brings the genuine rewards -
throughout the rest of your lives. And I would add: may music (of
whatever sort it be) serve as your constant companion along the
way.
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